Curator’s tour with the artists
with curator Andrei SICLODI and the participating artists
Guiding tour through the exhibition Looking at the Present through Rear-View Mirrors.
Eva Egermann (*1979 in Vienna, Austria, grew up in the Burgenland) is an artist living in Vienna. She has worked within a wide range of media and collaborations (e.g. with Manoa Free University). Besides numerous artistic projects, she has produced publications (e.g. Regime. Wie Dominanz organisiert und Ausdruck formalisiert wird or Class Works) and projects as curator (e.g. 2 or 3 Things we’ve learned. Intersections of Art, Pedagogy and Protest or On Uncanny States and Bodies). She was part of the research group of Model House. Mapping Transcultural Modernisms, Visiting Researcher at U.C. Berkeley in the winter semester 2014/15, and is writing her doctorate as part of the PhD-in-Practice-Programme at the Academy of Fine Arts Vienna. Her work was awarded the Theodor Körner Prize 2015 for Science and Art, and endorsed in the category Interdisciplinarity in the context of the Outstanding Artist Award 2016.
Stefan Hayn lives in Berlin. His films released since 1989 question artistic as well as cinematic categorisation, and reject simplistic genre attributions. His works (films, painting, essays) have been presented in a wide range of art and film contexts. He has taught at Berlin University of the Arts, specializing in the interrelations of film and painting.
Stefan Hayn is a painter and filmmaker. In his more recent works he attempts to enable an emotional experience of film-immanent processes or – in comparisons within the exhibition space – processes of painterly or filmic perception including their social-historical and biographical-individual connections. He also reflects on artistic approaches aiming towards openness in conceptual-essayistic works. He presents his films in cinemas, on TV, and at international festivals. Most recently, the Heidelberger Kunstverein and the Museum Moderner Kunst Stiftung Ludwig, Vienna showed a selection of his film works and paintings.
For a filmography of Stefan Hayn, see also:
filmportal.de: Stefan Hayn
Kerstin Schroedinger is an artist working in video, sound and performance. Her historiographic practice questions the means of image production, historical continuities and ideological certainties of representation. Her works and curatorial practice are often collaborative. Recent works include The Alleged Body (performance), shown at Images Festival Toronto, and Les Complices* Zurich in 2017, Fugue (Film, 2015), as well as Rainbow’s Gravity (Video, 2014, GFTA-funded 2013) and Red, she said (Video, 2011) both with Mareike Bernien. Her work has been shown at the Whitney Museum of American Art, Anthology Film Archives New York, Forum Expanded of Berlinale, Short ٍFilm Festival Oberhausen, International Film Festival Toronto, Gasworks London, Arnolfini Bristol, Whitechapel Gallery London, and exhibited at MIT List Visual Arts Center Boston (2016), Photo Cairo #6 (2017), FMAC Mediathèque Geneva (2016), The School of Kyiv – 2nd Kiev Biennale 2015, Helmhaus Zurich (2015), Kunstpavillion Innsbruck (2017), amongst others.
Vladislav Shapovalov (*1981, Rostov-on-Don, Russia) is an artist and researcher living and working in Milan and Moscow. He was a member of the art-group Radek Community from 1999-2007. Since 2008 he has been working independently on projects that focus on rethinking images, cultural artifacts and the construction of narratives as a way to construe and analyze geopolitical configurations. In 2016/17, Shapovalov took part in the Fellowship Program for Art and Theory in Künstlerhaus Büchsenhausen with support from the City of Innsbruck. He is currently preparing his first solo exhibition Image Diplomacy in the Moscow Museum of Modern Art (as from 17.11.2017), in which the film of the same name as well as the installation produced in Büchsenhausen, I Left My Heart in Rhodesia (2017), will be shown among other things. A further solo exhibition by Vladislav Shapovalov will take place as from the beginning of December 2017 at ar/ge kunst in Bolzano.
Recent exhibitions include Atlas [of the ruins] of Europe, curated by Julia Morandeira Arrizabalaga and José Riello, CentroCentro, Madrid, 2016; Fear. The Origin of the State, curated by Fedor Blašák and Christian Kobald, Nová synagóga / Kunsthalle Žilina, Slovakia, 2015; The School of Kyiv. Kyiv Biennial, curated by Hedwig Saxenhuber and Georg Schollhammer, Kyiv, 2015; Sources Go Dark, curated by Valerio Borgonuovo and Silvia Franceschini, Futura Center for Contemporary Art, Prague, 2015.
In the context of the Fellowship Program for Art and Theory 2016-17 at Künstlerhaus Büchsenhausen in Innsbruck, Vladislav Shapovalov published the book Image Diplomacy (2020).
Andrei SICLODI (*1972 in Bucharest) is a curator, writer, editor and cultural worker whose theoretical research focuses on forms of critical-emancipatory knowledge production in art. He is director of Künstlerhaus Büchsenhausen in Innsbruck and founding director of the Fellowship Program for Art and Theory which takes place there. He is also editor of the publication series „BÜCHS‘N’BOOKS – Art and Knowledge Production in Context“, in which Days In Between has been published.