Start Up Lectures 2019-20: Before the Fall there was no Fall

Erstausstrahlung: Mo 02.12.2019, 11.06 Uhr MEZ
Wiederholung: Mi 18.12.2019, 21.00 Uhr MEZ
Eine Sendung in Zusammenarbeit mit: Anna Dasović

Das Fellowship-Programm für Kunst und Theorie stellt im Jahr 2019-20 Arbeitsvorhaben in den Fokus, die sich mit bestimmten Identitätskonstruktionen beschäftigen, die für unsere Gegenwart von konstitutiver Bedeutung sind.  Im Rahmen der Start Up Lectures 2019-20 stellen die neuen Fellows sich und ihre Arbeit vor und werden einen Ausblick auf das jeweilige Arbeitsvorhaben in den kommenden Monaten gewähren.

In der Büchs’n’Radio Sendung vom Dezember hören Sie die Präsentationen von Anna Dasović.

 

Quelle: https://cba.fro.at/452675

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Anna DASOVIĆ’s artistic practice focuses on the rhetorical structures that make genocidal violence visible and those deployed to obscure politically inconvenient aspects of such conflicts. She asks: What ideological narratives do representations of violence participate in on a structural level? What forms of trauma are such documents unable to cope with, either in the legislative arena or when constitutive of the archive, in both sense of a physical place and as metaphor of collective humiliation and remorse? Though Dasović studied photography, and although her installations and videos retain an element of formal precision, she now works in a broadly interdisciplinary manner. Her methodology involves archival research, fieldwork, interviews, and bibliographic research.

Dasović was a resident at the Rijksakademie van Beeldende Kunsten in Amsterdam in 2017-2018. She is a member of Collection Collective, Template for a Future Model of Representation, a group that  explores the present-day crisis of collection-based institutions of contemporary art and identifies potential in a model of (art) collection that is simultaneously assembled, owned and run by artists and other cultural producers. Her work has been exhibited in Bergen Assembly, Württembergischer Kunstverein Stuttgart, Stedelijk Museum Bureau Amsterdam, Museum for Modern and Contemporary Art (MAMA) Algiers, the Van Abbemuseum in Eindhoven, the Museum of Yugoslav History in Belgrade and the Dutch Photomuseum in Rotterdam. She has previously been artist in residence at MAMA Algiers, Celeia Centre for Contemporary Art Celje Slovenia, Casa Tres Patios in Medellín and Residencia en La Tierra in Montenegro Colombia amongst others.

www.annadasovic.com