The Paradox of the Speculative
First broadcast: Mon 06.01.2014, 11.00 Uhr MEZ
Rerun: Wed 15.01.2014, 21.00 Uhr MEZ
A Broadcast in collaboration with: Cathleen Schuster & Marcel Dickhage
In January 2014 BÜCHS’N’RADIO has a focus on Speculation: The broadcast is a lecture, given by Büchsenhausen-Fellows Cathleen SCHUSTER and Marcel DICKHAGE in the context of the 2013-14 Start Up Lectures at Künstlerhaus Büchsenhausen.
Speculation (from the Latin speculari to peer, to observe; to peer into the distance from a raised standpoint) is a term used in everyday language as well as being an economic method and a philosophical way of thinking. Speculation has many forms: speculation on (intellectual) insight, on an invention, on unknown constellations, on love, on a crime suspect, or on money and possessions. Speculation is a paradox, the potentials of which can be progressive and regressive to equal degrees. Misguided speculation is capable of triggering strong reactions, even to the extent of global protest waves, and can topple economies into depression – one of the extensively documented aspects of contemporary speculation.
In their current series of works Schuster & Dickhage are interested in how a possible representation of speculation may be arrived at, or rather, to what extent it is possible to facilitate an artistic opening of the concept for its (re-)appropriation by the viewer. This artistic interest in speculation lies in its current relevance, its potential possible recurrence and in problems of equivalence. If the speculative itself is not obligated to any equivalence, is it at all possible to produce an artistic equivalent to it? Or is an obligation to equivalence conceptually out of date, or invalid? How can an opening of the concept of the speculative (as opposed to dogmatic criticism) be achieved, so creating space for the viewer to re(appropriate) the concept for him- or herself?
In their previous investigations Schuster & Dickhage first examined the history of speculation on the basis of statements about the subject by various authors from the Middle Ages to the present day. This research will lead to a film, which the artists aim to process, edit, compile and supplement during their stay in Künstlerhaus Büchsenhausen in close interplay with parallel, theoretical debate.
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