Künstlerhaus-Matinee with Angela ANDERSON and Michael BAERS

plus Special ptxx-Brunch

Angela Anderson, "North Dakota is on Fire", 2018 (photo above); Austrian Fatherland Front, probably the proclamation of Chancellor Schuschnigg as Front Fuehrer on October 10th, 1936 (photo below).

In the form of a studio talk Andrei SICLODI (curator) discusses with fellows Angela ANDERSON and Michael BAERS (both artists, USA) their respective work at Künstlerhaus Büchsenhausen. Anderson brings together two apparently disparate contexts: the Dakotas in the United States and Rojava in Northern Syria, showing two cases of women rising in opposition to the patriarchal, earth-devouring machinery of militarized, extractive capital. Baers investigates relationships and parallels between historical and weather events.

Angela ANDERSON is an artist and filmmaker working at the intersection of philosophy, ecology, economics, migration, media, and feminist & queer theory. Central to her work is an awareness of the intimate connection between media production, memory and apprehension, and the potential of audio-visual media to open up new lines of flight. She holds a BA in Economics and Latin American Studies from the University of Minnesota, an MA in Film and Media Studies from the New School (NYC) and is pursuing her PhD at the Academy of Fine Arts Vienna. Originally from the northwoods of Wisconsin, USA, she lives and works in Berlin. Since 2013 Anderson has been collaborating with Angela Melitopoulos on the audio-visual research projects Unearthing Disaster, The Refrain (2015) and Crossings (2017), which was shown at documenta 14. In 2016 she produced her short film The Sea Between You and Me (2016) for the show Voice Outside the Echo Chamber curated by Katayoun Arian at Framer Framed (Amsterdam). Other recent exhibitions include Minnesota Street Project (San Francisco – 2017), Holbaek Images (2016) and the Thessaloniki Biennale (2015). Anderson is also the exhibition designer for Forum Expanded at the Berlin International Film Festival and has worked with many other artists and filmmakers on the realization of performative, filmic, and installation projects.
angelaolgaanderson.wordpress.com

Michael BAERS received his PhD from the Akademie der Bildenden Künste in 2014 from its dedicated artistic research department. He has exhibited his artistic work internationally in many prominent art institutions including the Museum für Angewandte Kunst Frankfurt am Main, the Haus der Kulturen der Welt, and the Van Abbemuseum. Since 2010 his work has focused on the cultural outcomes of conflict irresolution in the Middle East and North Africa. Since 2013 he has conducted research on a unique photographic project that emerged from the war between the people of Western Sahara and Morocco, Necessità dei Volti. This has involved lateral research into media theory and visual studies, as well as the history of western North African. Previously Baers has researched cultural politics in Israel and Palestine, in 2014 publishing online with the Haus der Kulturen der Welt a lengthy graphic work about the 2011 Picasso in Palestine project, An Oral History of Picasso in Palestine. He has also published comics and texts on contemporary art and artistic research, cultural politics, and urbanism, contributing to a variety of publication projects and internationally recognized journals, such as A-Prior, the e-flux journal, and Vector – critical research in context.

Location
Künstlerhaus Büchsenhausen

Weiherburggasse 13
6020 Innsbruck, Austria
+43 512 278627
office@buchsenhausen.at